Contemporary domesticity is the relentless process of rebuilding and restaging one’s collection to display ownership, aesthetic, status, etc. The state of Inhabiting has become secondary when excessive decoration and stylish fashion dominate space. The dwindling inhabitation of domestic space simplifies itself into nothing but an ever-growing container of collection.
To resurrect the state of occupying. Domestic needs to get away from over-saturated information of signs, symbols from the outside. Simulacra reflect on the excessive desire and implosion of redundant information in consumer culture. The simulacra domestic is a nostalgic and melancholic existence where hype-real precedes the territory of reality. It reimagined domestic space being covered by a singular, malleable coating. The malleable surface facilitates inhabitants to rebuild and restage objects as well as invites them to occupy and to be exhibited within the domestic. It attempts to capture the temporal contingency through dynamic interaction and movement.
Such disappearance of conventional domestic elements has shifted attention from collection to the spatial quality, and facilitates reflection on constantly changing curatorial relationships between objects and subjects.